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Harry Kraus Interview
by C.J. Darlington
"Faith is such an integral part of who I am, that I cannot possibly untangle it from my life or my stories." -- Harry Kraus, M.D.
Best-selling author Harry Kraus, MD, is a board-certified surgeon whose
contemporary fiction (beginning with 1994’s Stainless Steal
Hearts and including his 2001 best-seller Could I Have This Dance?)
is characterized by medical realism. He practices surgery in Virginia
and formerly in Kenya where he served as a missionary surgeon. He's
also the author of two works of nonfiction.
How did your Mennonite upbringing impact your growing up years and
desire to enter the field of medicine?
Mennonites have several areas
of strength. One is stewardship, the idea that everything in your
hand is God-given and you need to use it in a responsible way. The
other is service to the poor. As I look back on my life, although
I’ve not clearly made an association with my upbringing, it
looks like I’ve adapted those values, huh?
What was the most memorable moment you experienced growing up as the son
of a family doctor? How did you know the medical field was your calling
too?
I loved going with my father to his office after hours to meet with
patients with emergencies. I remember watching my father carefully stitch
up the ear of a little girl mangled from a dog-bite. Another time, I went
with my father to the home of a very intoxicated woman to take her to the
hospital to get dried out. That was crazy. We found a bottle of wine in
her suitcase!
I didn’t know I would follow my father into medicine until I began college. I wanted to do something where I could reach people with the help of the Gospel. It was either seminary or medical school and medical school won.
You’ve
said you love medicine because it mixes science and technology with
Christian
ministry. Could
you expound on that thought?
People come
into my office not because they want to, but because they are facing crisis.
That crisis prompts them to finally ask the right questions about eternity.
I love praying for them and sharing with them the practical love of Christ.
From a science standpoint, there is no field like medicine that reveals
the wonder and glory of God like a study of the complexity of the human
body.
I’m intrigued that you didn’t
actually start writing fiction until later in life. When did you first
realize you wanted to write novels?
I fell in love with reading and turned to fiction as a relief from the
stress of surgical residency. It was from my love of reading that I started
spinning ideas of my own and had the crazy notion that I might be able
to write a novel myself.
It’s a testament to your storytelling gift that you were able to write 4 novels before ever reading a book on the craft of writing. How did you develop your writing skills without any formal teaching?
Truthfully, I did a lot of things correctly just by knack or absorbing techniques by being a reader. I knew how to build suspense, and formulate stories with layers of complexity. Later, after I’d been published, I turned to some wonderful teachers and read about techniques. There are some great teachers out there to assist novelists who want to study craft. My favorites are Donald Maass, Sol Stein, and Donald Frey.
What is the number one thing you have been able to take from your medical
training and apply to writing?
The discipline to stick to a long project
and see it through.
Let’s talk about The
Six-Liter Club. First of all, this book was
a long time in the making. I hear you started it back in 2003. Could you
share the story of how you got this idea and why it’s only now seeing
publication?
I got this idea one Sunday morning when my pastor told a truthful
account of a missionary who barely escaped death during the Simba Rebellion
in the Congo. I wrote the novel the first year I lived in Kenya. Originally,
I wrote it under a pseudonym and wanted to publish it in the secular market
for non-Christians. But the story had too much faith for the secular market
and after two years of rejections in the mainstream market, my agent sold
the book to Howard, the inspirational arm of Simon and Schuster.
The Simba rebellion
is something you don’t hear about much in America,
and it plays a huge role in this story. For those of us who aren’t
familiar, tell us how you were impacted by this moment in history.
The
Simba rebellion took place in the Congo in the 1960s. Several missionaries
were martyred during that time. My protagonist was an orphan because her
parents were killed during the rebellion.
What made you decide
to write this novel in the point of view of an African-American female?
Was that
harder or easier to do than you expected?
I was intrigued
with what it would have been like for a black woman to break into what
was typically a white-boy’s club, the field of academic trauma surgery.
Writing from the viewpoint of a woman wasn’t knew to me; I’d
done it in a series of novels beginning with Could I have this Dance? for
Zondervan. Writing from the eyes of an African American was a little more
of a stretch, but remember, my protagonist survived by acting like one
of the guys and that was a club I was very familiar with.
This novel could be
considered a tad edgy as far as sensuality. Was that your intention?
Of course not.
My intention is not to be edgy or “push
the envelope” as I’ve been accused in this novel. My intention
is to present a non-Christian struggling with real life: a life with real
temptations and sin. I don’t glorify sin. I present it in a way that
shows the hurtful consequences. That said, I don’t shy away from
the grit of the life of an unbeliever either. I don’t believe everyone
in a “Christian” novel should act “Christian.” That’s
unrealistic. If you are looking for a fluffy prairie story where everyone
talks and acts like Mr. Rogers, please don’t read this.
Did you write this
book with a specific message in mind or did the take-away come about
as you wrote?
I wrote the book to help us realize that God makes
everyone special; we don’t have to try to fit into society’s
molds for success. Also, in the novel, there is strong imagery of the Passover.
I’m resisting explaining that one, because it may give away the ending!
How did you become involved in advanced laparoscopic surgery, and why
do you especially enjoy it?
I trained in general surgery just as laparoscopic
surgery started to explode in its applications. I enjoyed being on the
modern, cutting edge of technique development.
What was your most embarrassing moment as a doctor or writer?
No comment!
Do you ever struggle with sharing your faith in your stories?
Not really.
Faith is such an integral part of who I am, that I cannot possibly untangle
it from my life or my stories.
Is it ever
a struggle to balance your day job and writing? How do you manage?
My wife! She helps manage a lot of the business end of my life.
She helps keep my schedule intact. I write during evenings and on other
days I take off of my surgery job.
What do you
know now that you wish you’d known when you first started
writing?
I wish I would have studied the craft before becoming published.
I think that slowed my adoption of some of the finer techniques that give
stories special polish. I think it may not be something my readers notice,
but when I read my earlier stuff, I think, I could do that better now.
What was the lowest
point in your writing career, and how did you get out of it?
The writer’s life is filled with highs and lows. The lowest
point? I’m just not even wired to think in those terms. I guess it
was when my first non-fiction book, Breathing Grace, failed to
sell well after receiving such strong endorsements: stores expected me
to have some
sort of special platform such as a radio or TV ministry before they were
willing to give my book a chance on the shelves.
What’s
next for you book-wise?
I’ve written a suspense novel
set in Kenya, full of windows into the supernatural (witchdoctors, spiritual
warfare etc.). Of course, it has the Kraus signature of medical realism.
It has to do with what happens to open heart patients during surgery when
their hearts have been stilled, essentially hanging between life and death.
They come back after surgery and begin to tell visions from “beyond.”
Anything else
you’d like to share with TitleTrakk.com readers?
We
serve a huge and powerful God, but yet, if you look at our lives, way too
often he appears small and domesticated (a weak version of the real thing).
I honestly explore this shocking phenomena in a new book, Domesticated
Jesus by P&R.
What are two things people might be surprised to know about you?
I ran
a marathon once. No one would guess that looking at me now!
When you’re
not writing, what do you enjoy doing?
I love scuba diving and travel.
What did you eat for breakfast this morning?
Coffee. Black. Not contaminated
with sugar or fancy creamers.
Three things always found in your refrigerator: Diet soda. Cheese!
You’re
next in line at Starbucks. What are you ordering?
Coffee. Black. (This is sounding
repetitive, I know.) If they offer Kenya AA beans,
I’m ordering that. I came back from my years as a missionary in Kenya
as a real coffee-snob. The old American stuff doesn’t cut it for
me anymore.
What’s left unchecked in your “goals for life” list?
I want to see the Great Barrier Reef. I want to be on the New York Times
Bestseller list.
When was the last time
you cried?
I cried watching “Blindside.”
Three words that best describe you:
Dedicated. Fun. Competent.
What’s
currently in your CD player/iPod?
Dave Crowder Band.
C.J.
Darlington's
first
novel, Thicker Than Blood, was the winner of the 2008 Christian
Writers Guild's Operation
First Novel contest. Her second novel, Bound by Guilt, has recently
released
from Tyndale,
and
you
can watch
that trailer today! When
she's not writing, she's reading. Her hobbies include horseback riding, oil painting,
and book collecting.
She is also a contributing editor at Family
Fiction Magazine. Visit her online
at her
author website and at her
blog where she talks about books, writing, and publishing. You can also look
her
up
at
Twitter and Facebook.





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