




Switchfoot
& The Almost
The National
Richmond, Virginia
by Susan LloydEarlier this week I had the opportunity to catch Switchfoot
on their fall tour in Richmond, VA. Armed with a press pass, my camera gear,
and a friend I headed to The National in downtown Richmond for what proved
to be another amazing Switchfoot experience. I had never been to The National
before and love to visit new venues, and it turns out The National is one
of those places you wish you had in your own hometown. Lofty ceilings with
richly appointed woodwork, a gently sloping wooden floor that had more width
than depth, opera box seats, and a grand balcony, The National is a beautiful
reminder of Richmond's theater past. As much as I love to see Switchfoot
in a more intimate club setting, I knew this theater would do nothing but
enhance the Switchfoot concert experience.
Switchfoot's touring partner, The Almost, began their set with tons of energy
that did not let up throughout their time on the stage. Front man Aaron Gillespie,
former drummer of Underoath, had no trouble getting the crowd fired up and
ready to go. Gillespie is a natural performer who displays passion and drive
in the way he handles the stage and crowd. And The Almost is an excellent
band. While I wasn't familiar with all of the songs they chose to play that
night, I did know Southern Weather and judging from the reaction of the crowd,
they recognized that one as well. Crowd enthusiasm was also a good indicator
of what was to come when the 'Foot hit the stage as well.
The Almost
payed tribute to Tom Petty by covering his 80's hit "Free
Fallin'", and they killed it. I had heard this band perform the same
song a few weeks back on a much smaller stage. While they did a great job
with it then it's clear that the size of the crowd and their warm reception
of the band had a positive impact on the way they handled the song at The
National. Before they ended their set with their big hit "Say This Sooner",
Gillespie made it clear that all members of the band are believers and reminded
the crowd that they are loved by God's son Jesus Christ. "Say this Sooner" was
performed in a way that probably left the crowd wanting more from The Almost,
and Gillespie's passionate exit from the stage (he threw down his mic and
ripped the suspender straps from his shoulders) was right in line with the
tone of their set.
I've followed Switchfoot for several years now and reviewed many shows, and I can say I am always impressed with the level of excellence these guys have on (and off) stage. Passion, energy, warmth, sincerity, and killer guitar hooks...these guys simply never disappoint. And this night in Richmond was no different.
The band began with the larger
than life "Stars" which brings
four of the five members of this band to the front of stage for the huge
opening riffs of the song. Truly, you can't imagine how much energy that
song generates live from the stage until you experience it for yourself.
From Switchfoot's catalog, it's probably the perfect opening song. The National
boasts a fairly large stage area, and Switchfoot had no trouble filling the
space with sound and movement. Jon Foreman as front man somehow manages to
close the gap between stage and audience and before the end of the third
song he had already made one trip to the railing of the barricade to lean
down and sing into the crowd. Foreman also wandered out into the crowd during "Bullet
Soul" and "On Fire". And the crowd loved it. Although the
show was not sold out, it didn't seem to matter. The fans showed up with
nothing but love for Switchfoot and they danced, jumped, sang, and screamed
their way through the entire set.
There were
a few show stoppers in the set, one new song, and one that has rarely been
performed in a concert
setting. "Free" and "Yet" from
the band's latest album Hello Hurricane were definite stand outs
with "Free" featuring
both Foreman brothers and Jerome Fontamillas pounding on a large tom at different
points in the performance. And probably the most underrated performance of
the night is the guitar work Drew Shirley plays on that song. It's simply
brilliant, and I'm not sure most fans realize the depth of the musicianship
in those few moments. "Yet" featured a very stripped down drum
layer that allowed drummer Chad Butler to come out from behind his drums
and join the rest of the band at the front of the stage. Switchfoot trotted
out a new song (pun intended) for these fans called "Dark Horses",
and while I was able to hear the song earlier during sound check, I think
it was this performance that made it feel like a true Switchfoot tune. Although
it's a new tune, it was received well by the crowd. And while huge hits like "Oh!
Gravity" and "Meant to Live" are the real diamonds of the
set, it was Switchfoot's performance of "Daisy", a tune rarely
heard from the stage, that took everyone's breath away. The acoustic start
to the song quieted the crowd but as the music got larger, the crowd got
louder, and I dare to say it was the best performance of the night.
Switchfoot ended their set with "Awakening" but it wasn't too
long before they returned to the stage with their encore that included "Hello
Hurricane" and the inspiring "Dare you to Move". No doubt
about it, it was one of the finer Switchfoot shows I've attended and I was
glad to have the chance to shoot and review. The fall tour is a short one
and it's also the last chance fans will have to see the 'foot before they
retreat to work on their next album entitled Vice Verses. There are still
tickets available on the remainder of the tour and you can find ticket links
by visiting the band's website at Switchfoot.com While you're there, you
may want to consider signing up for Friends of the Foot which is a paid membership
that allows members to attend soundcheck and meet and greet prior the afternoon
of the show. For show photos from The National tour stop, click here.
View more concert photos at Susan's Flickr page here
All photos copyright Susan Lloyd. All rights reserved. Do not duplicate without permission.
Susan Lloyd is a professional photographer in Charleston, South Carolina who specializes in shooting concerts. She holds a degree in Music Education and has worked as a worship leader and as a youth minister. She is passionate about all types of music and enjoys encouraging and supporting bands who seek to glorify God. She also loves movies, animals, traveling, and making new friends. She and her husband have three kids and have been married for nearly 17 years. More info about Susan's photography can be found at www.susanlloydphotography.com or www.susieq3c.wordpress.com



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